5Ĭertainly, the seminal work of poets and writers who make up organizations like Quilombhoje, a group based in São Paulo but with satellites in Salvador, Rio de Janeiro, Porto Alegre and other capitals, has contributed enormously to Afro-Brazilian literary production as a whole. 4 Since then, there has also been a similar increase in academic studies about such literature, which, for most of the twentieth century, had been almost exclusively the object of study by foreign scholars like Bastide, Sayers, Rabassa and Brookshaw, among others. Since the 1980s, the work of writers who identify openly as individuals of African descent has grown in volume and has started to occupy a space in the cultural scene, just as, at the same time, the demands of the black movement have grown and acquired institutional visibility. It doesn’t simply exist it is multiple and diverse. In short, this literature doesn’t merely exist it makes itself known across the various historical periods and spaces relevant to our coming together as a people. 3 It tells the story of the decades that follow the abolition of slavery in Brazil (May 13, 1888), and attempts to show how the mentality produced by the institution of slavery continued even after its end. Take the example of the Maranhense José do Nascimento Moraes, author of, among other texts, the novel Vencidos e degenerados (1916). Likewise, for as often as it is written in large urban centers, by dozens of poets and authors of fiction, it also has a strong presence in rural areas and regional literatures. While many still question whether Afro-Brazilian literature really exists, every day, new research points to the vigor of this writing: for as much as it is contemporaneous, it is also long established, reaching well back into the eighteenth century to Domingos Caldas Barbosa. This increase occurred in concert with the academic debates about the nature of its solidification as a specific field of literary production – distinct, although in permanent dialogue with Brazilian literature tout court. Schindler and Adelaine LaGuardia 2Īt the dawn of the twenty-first century, Afro-Brazilian literature passed through a period full of realizations and discoveries that initiated a broadening of its corpus, both in prose and in poetry. Toward a Concept of Afro-Brazilian Literature 1
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